ABOUT YOUR PORTRAIT SITTING

Philosophy

One of the first questions I’m often asked is why I refer to a portrait session as a sitting.

The word implies a slower, more deliberate approach to portraiture. It comes from the tradition of painting, where the subject was known as the sitter, someone who spent time with the artist, allowing the portrait to emerge through observation, conversation, and presence rather than speed.

That way of working underpins my practice.

I am not a glamour or lifestyle portrait photographer. My approach is thoughtful and considered, centred on spending time with the person in front of the camera, much as a painter would with their subject. I’m interested in creating a portrait that speaks to who someone is, not simply what they look like.

Colour studio portrait of American singer Leah Siegel
Black and White Portrait of Australian Actor Murray Bartlett

Process

Before the sitting we’ll begin with a consultation call. This is an opportunity for me to explain the process in detail, answer any questions, and talk through the practical aspects of the session. More importantly, it allows me to listen, to understand what matters to you and what you hope to take away from the experience.

Colour Portrait of American Actor and Director Sarah

The Sitting

Portrait sittings take place in a studio environment chosen to suit the session.

For me, portraiture, is a powerful medium, an art form capable of revealing character, nuance, and quiet strength. The aim is always representation rather than surface likeness.

Each sitting typically lasts between one and three hours, depending on the scope of the session and whether hair and makeup are included. I recommend allowing enough space in your day for the sitting to take the time it needs.

The time is intentional. It allows space to settle, to work without pressure and to let the portrait unfold at its own pace.

Colour studio portrait of American photographer Ken Scales

After the Sitting

Following the sitting, I review the photographs and make a careful edit of the strongest portraits from the session.

From this process, a selection of ten images will be prepared for you to view. These photographs are presented for you to consider at your own pace.

Each sitting includes one archival print, chosen from the final selection of ten images. I believe portraits deserve to exist beyond the screen. The print is 40 × 50 cm, produced using museum-quality materials, Canson Baryta paper and archival inks.

Framing is a highly personal choice and depends on individual taste and interior style. For this reason, framing is not offered as a fixed price. A framing consultation is included as part of your portrait sitting.
Following this, pricing can be supplied, or prints can be delivered directly to you or to a framer of your choice.